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c. 1445 – May 17, 1510. Italian painter.

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Orazio Gentileschi
Public Felicity Surmounting Perils (mk05)

ID: 20431

Orazio Gentileschi Public Felicity Surmounting Perils (mk05)
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Orazio Gentileschi Public Felicity Surmounting Perils (mk05)


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Orazio Gentileschi

1563-1639 Italian Orazio Gentileschi Galleries Tuscan painter, b. Pisa. His real surname was Lomi, but he adopted his uncle name. He studied in Rome, where he was associated with Agostino Tassi in the decoration of palace interiors. Influenced by Caravaggio, Gentileschi developed a more softly luminous light and a cooler, more lyrical style. He also painted frescoes in Santa Maria Maggiore and in the Lateran. After spending several years in Genoa and in France, he settled in England (1626) at the invitation of Charles I. Gentileschi principal works include The Annunciation (San Siro, Genoa); Flight into Egypt (Louvre); Sibyl (Hampton Court, England); and Moses Saved from the Waters (Prado). He also painted numerous portraits. Artemesia Gentileschi was his daughter.   Related Paintings of Orazio Gentileschi :. | Dimensions and material of painting | Public Felicity Surmounting Perils (mk05) | Annunciation 77 | David Contemplating the Head of Goliath | The Lute Player |
Related Artists:
SUSTRIS, Lambert
Dutch painter (b. 1515/20, Amsterdam, d. after 1568, Padova).
Alexander Coosemans
(1627, Antwerp - 1689, Antwerp), was a Flemish Baroque painter. According to the RKD he was registered as a pupil of Jan Davidsz de Heem in 1641 and in 1645 he became a master in the Guild of St. Luke.He travelled to Rome in 1649 but was back in Antwerp in 1651. He painted flowers, fruit, and inanimate subjects, and flourished in the Netherlands about 1630. Fruit subjects by him are in the Augsburg Gallery and the Belvedere at Vienna. In the Madrid Gallery there is a fruit-piece attributed to a J. D. Cooseman, who is said to have flourished in the Netherlands in the 17th century: and in the Bordeaux Museum, a fruit-piece ascribed to a N. Coosman. He was followed by Hendrik Schoock.
Hindu painter
Richard Ettinghausen believes this work to have been painted in Agra in about 1625






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